September Open & Closed

Sep. 19th, 2017 08:58 pm
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Out On The - Open To All

Natasha is out. It's been a while. She's been hitting the bars less since she started drinking blood again on the sly; she didn't need the poor substitute as much, and she didn't want the temptation that came with it.

She had to be careful with this. She didn't want to be who she was before, when she was feeding on humans. So far, she thinks she's doing okay.

So out tonight, it's because she really does want the drink. She also wants to be around people, to watch them, maybe to chat with them. She can be found out, sitting at the bar or at a table that can be seen, not hiding away in the corner, nursing a gin and tonic or maybe a whiskey sour.

If she sees someone she knows, she's quick to invite them to join her. "One on me?" she offers. "I could use some company."

Home Is Where - Closed to Evie

It's not a surprise when Natasha comes by. She texted on her way over, showing up with takeout Thai food and a bottle of red wine. It's normal. They do this so often—food, some drinks, maybe a movie, and time together on the couch.

The difference, this time, is that after dinner and before putting on a horror flick about a family moving into a haunted house, Natasha bows her head a little and licks her lips, a thoughtful, expression. She doesn't have many tells, and she hides them well when she wants to, ut Evie would know her well enough by now to know there's something on her mind.

It may still be a surprise when she says, "I was thinking, we should talk about that thing you brought up at the tournament."

Wildcard

Hit me up with something else, or let me know if you want me to write another starter.

katherine please

Sep. 19th, 2017 03:33 pm
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1 - HILLINGDON
Arthur pays attention to things like police bulletins for a reason. He knows there's tampering but there are still patterns that emerge when you have a city as full of supernaturals as London is and if someone knows what to look for they can probably tell that someone's getting a little rowdy. When everything happens so close to the full moon, that's another clue, so Arthur has a pretty good idea that he's going to uncover something when he starts reaching out to his fellow hunters and contacts within Hillingdon. He starts asking very pointed questions about the werewolves and whether anyone's noticed anything and if someone comes into the office he's taken over they'll notice a portion of his board has now been taken over by fishy news articles and notes about the wolves.


2 - WEREWOLF TERRITORY
Arthur doesn't get much from within Hillingdon alone, so he ends up contracting a few hunters to go out and gather some information for him. That's just to cover more ground while he goes out himself and does a little snooping of his own. He finds himself at a few community centres and shops during the day, and during the night he finds himself at the bars that are run and frequented by werewolves. He doesn't quite fit in there but he does his best, keeping his head down and keeping chatter light so he doesn't draw too much attention to himself. Sometimes he's meeting a contact, but other times he's just trying to overhear something that might give away the plan of everything that's going on.


2a - FOR GHOUL
One of these particular nights he shows up to a bar and looks around briefly before he makes a beeline for the bartender. It's a short conversation - he describes the person he's looking for and the bartender gestures to the door as he tells him they've already left - and Arthur looks pretty perturbed as he turns away and curses under his breath. He knew this particular contact was flighty and he even showed up a few minutes early to try and catch them if they were going to bolt. The problem is, Arthur doesn't know now if he's been told on to any of the wolves in this bar, and if he has he's in a bit of a dangerous situation.

And he didn't bring a gun.

Well, fuck.


2b - FOR LAURA
The bruises haven't quite healed up yet but he looks somewhat presentable again, so when a hunter trades him a bit of info about a particular wolf who isn't following the pack directive, Arthur follows up as soon as he can. The best way to reach her just seems to be showing up at her work, so Arthur shows up later one afternoon after school's been out an hour or so. It'd be weird enough barging in with a bunch of kids still around, so they don't need to see his black eye. After he slips into the building he does a quick search of the classrooms until he finds her sitting at her desk. He knocks on the door frame and tilts his head curiously.

"Laura?"


[ooc; other prompts can and will be added! if you want anything different just send me a PM or hmu at [plurk.com profile] dreamalittlebigger]

Shop till you Drop. (Closed to Joss)

Sep. 16th, 2017 06:17 pm
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When Joss eventually opened his front door to Eponine, she had pushed impatiently past him to look for the t-shirts he had promised her.

"Where are they? You promised." She barks at him. Her own, tattier than ever thanks to Joss trying to murder her, needs replacing. She lets herself into his living room, and makes a beeline for the shopping bags by the sofa. She pulls out a few tops, but her jubilant smile quite quickly becomes a frown.

Eponine looks from one pink, frilly shirt to an overly baggy mustard number to a flowery, frilled t-shirt with little cap sleeves. The frown on her face turns into a scowl and she rounds on Joss, angry all of a sudden.

"You buy for a grandma? I am not wearing this rubbish. They're disgusting. For old women."
They do not go, at all, with Eponine's grunge look. "I am not wearing these. And you owe me a shirt for nearly killing me. You lose me a whole night of coin, a whole night of food, and for this? No, M'sieur. I do not accept. I shall have a proper shirt I might wear, if you please."

She's getting a decent outfit out of Joss even if it means dragging him to the shops herself.

"You owe me. You owe me proper clothes," she whines.

Paradise or Hell

Sep. 15th, 2017 06:39 pm
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Who: Spawn/Al Simmons and OPEN
What: Flashbacks, Hell dreams
Where: A quiet, desolate area.
When: Nighttime
Warnings: Could potentially speak about controversial topics/ dark topics?

-------------------------------------------------------

When Dark is Not Nice )
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Morning and afternoon of September 5th
The day before the full moon, and it's a purposeful day. By tomorrow night, Laura wants Greenwich to belong to the East End Pack. Those over the age of 18 with Daylight Jewelry go in first and begin to infiltrate. Vampire strongholds are sussed out, and wolves begin to set up camp around them, waiting for the inevitable moment when the vampires awoke.

Evening of September 5th
It's an ambush, for the most part. Smaller holdings are left untouched, but larger hotspots are hit hard by the army of wolves. Almost the full moon, they should be at the height of their power. Only those above the age of eighteen are allowed on the battlefield.

Morning of September 6th
When day breaks, it's clear who's won this time. Vampires without moonlight jewelry slink back into the shadows. Those who live are spared- but only until moonrise. Then Greenwich officially becomes the East End's.

Evening of September 6th
Rumors of a wolf-pack running through Greenwich Park begin to circulate as the moon rises. Those who are able are invited to celebrate in the park in wolf form. Those who are not are invited to celebrate at the den.

Sorry is the hardest word

Sep. 10th, 2017 08:37 pm
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Closed to Lydia and Nancy
Warning for Ces talk

Read more... )
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9 September, Evening - The Angelo (open)

Blues beat, slow burn. The lights turned way down low; just the spotlight on the singer and the dim glittering of the candles on the tables. The girl on stage looks so small and frail, all dressed in black, but when she starts to sing her voice is anything but.

"I put a spell on you...because you're mine."

She starts soft, low. This has always been more of a ballad than a power anthem. She sways with the rhythm, channeling the pain of a woman wronged.

"You better stop the things you do--I tell ya, I ain't lyin'.
Oh no, I ain't lyin'.
"

The rest of the set is a bit of a blur. Nothing original, nothing of her own, just jazz and blues standards. That's just fine. She can do standards. There's polite applause at the end of her performance; she didn't bring down the house, but it's the biggest audience she's had in months and she relishes it.

Imogen loves this. She loves performing. She loves the spotlight and the way people look at her when she sings, like they're seeing her for the first time. So what if she's not being showered with roses as she takes her bow? This is a good gig. She's going to savor it.

There's another set at 10, but in the meantime Imogen moves to the bar, ready to meet her adoring public.

12 September - The Angelo (Closed to Lydia)

"Yeah, Mum, I loved the flowers. Thanks so much." Imogen's got a new phone now, to replace the one she lost. Had stolen from her. By someone who, according to Find My iPhone, likes to hang out at cemeteries. Well, Daddy cancelled the account and had Apple remotely lock the phone, so Little Miss Cemetery Lurker has a very expensive brick now. Serves her fucking right.

Imogen still hasn't told her parents about being attacked; she just said she lost the phone while she was out in the West End. She's never been very good at lying outright--in fact, she's always been bloody awful at it--but she can embroider the truth all she wants.

Today's her birthday, and Imogen's going for birthday drinks with some people she knows later, but first she's got to drop by "work."

"No, Mum, I told you--I can't come by this weekend. I've got performances. Yeah, Mum. Thanks, Mum. See you later. Lots of love to Daddy. Bye."

She's too busy walking and talking to notice that there's a girl already waiting out front of Cesare's office. Not until she almost collides with her.

"Sorry!"

21 September - Redbright Institute (closed to Sylvia Redbright)

The letter had come in the second week of Imogen's residency at The Angelo. It was on fancy paper, with a letterhead for some school she'd never heard of, asking for a meeting. Imogen almost ignores it. After all, she's not exactly desperate for work right now. Not with Cesare paying her to sing three nights a week and lavishing her with expensive gifts. But she doesn't have anything else to do today, and she's bored. Might as well make the appointment.

The school's campus is a bit of a maze, so it takes a while to find the right door. Imogen knocks.

"Mrs...Redbright?"

Mid to Late September - Around London (open)

Even with a handsome millionaire paying the bills, a girl's still got to work. Imogen can be found busking around London, playing the new guitar that had been her birthday present this year. She still doesn't feel very safe after what happened last month, but she sticks to crowded areas and well lit streets and it's been okay so far.

She's drawing bigger audiences lately, and inspires more passionate responses to her music. Is this it? Is she on the verge of making it big?
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